- This topic has 39 replies, 12 voices, and was last updated July 16, 2012 at 9:49 pm by Pz..
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July 7, 2012 at 10:38 pm #1254013
@BioTech 486716 wrote:
As someone who isn’t really a big fan of psy-trance I haven’t followed IM too closely but know of their work and respect them as producers. They seem to be trying out new stuff and having fun with the music. Don’t really understand why everyone is hating them so much. Maybe I’m just getting too old.
I don’t really hate them, I just don’t enjoy their new stuff. I agree they are just experimenting what is what music’s all about if you wanna push the boundaries, but all the changes they have made to their music have kinda gone in the wrong direction imo. Firstly it was them horrible vocoda vocals and now this. If they having fun and people do like it, then I guess that’s all that matters (tbf even if no one at all but them liked it still doesn’t mean they shouldn’t do it if they enjoy it them selves). It’s just not that appealing to me, I used to love their older stuff though.
July 7, 2012 at 11:23 pm #1254002I think the bald guy is smoking all the other guys weed.
July 8, 2012 at 12:24 am #1254007saw them live years ago in london when they were in there prime,had my first breakthough trip on acid to them, ace stuff, i think they’ve def lost their mojo lately, just watch their live stuff painful. like thelog said i think the bald dudes been smoking all the other guys weed.
July 9, 2012 at 6:47 pm #1254004hah well i missed that burst of invective but i wouldn’t worry m8, i’m not quite that sensitive a flower 🙂
I agree about their experimentation, I like that it’s not all soundalike 4/4 to the same tempo. not even all dance music but nevertheless there is still an “infected mushroom” sound to them all that just tickles me where it’s nice 😉
still haven’t listened to the album mindyou cos we had grandson with us this weekend and we were knackered by the time he went to bed !
July 9, 2012 at 6:50 pm #1254005@kpop 486728 wrote:
saw them live years ago in london when they were in there prime
only time i’ve (nearly) seen them was at the stratford rex one time, security let loads of people in through the back doors for backhanders and it was so hot it brought us down, and too crowded even to move. we went home in the middle of the mushie’s set cos just weren’t enjoying it at all 🙁
July 10, 2012 at 7:33 pm #1254027Infected Mushrooms and dubstep…This world is mad…
July 10, 2012 at 9:41 pm #1254024As a massive fan of all that’s psy, I just think that the two genres are really polar opposites.
Even muse seem to be jumping on the dubstep bandwagon. Personally I can’t stand dubstep but I’m not gonna knock people for liking it. I appreciate what people are saying about music evolving etc but jumping onto a bandwagon is hardly pushing boundaries, it’s just producing what seems to be selling at the moment rather than sticking with your roots.
I guarantee if you played any died-in-the-wool dubstep aficionado some Hallucinogen or GMS they’d be like “What the fuck is that?”. Dubstep is so far from psychedelia in terms of ethos until someone does something really psychedelic in dubstep-land and proves me wrong.
Thank the flying spaghetti monster for Simon Posford!
July 10, 2012 at 10:11 pm #1254014Praise posford!!!!
July 10, 2012 at 10:23 pm #1254008phutureprimative are doing good things with dubstep/psydub [video]vnd.youtube:LgycnHFxuP8?vndapp=youtube_mobile&vndclient=mv-google&vndel=watch[/video]
July 11, 2012 at 12:11 am #1254025Broken linkie!
July 11, 2012 at 12:16 am #1254016I broke my slinkie!
July 11, 2012 at 9:05 pm #1253988TBH whilst I am not a great fan of psy trance anyway and as such wouldn’t be able to judge if IM have or haven’t “sold out”, I can see why they got themselves in this pickle.
Bear in mind there is a odd phenomenon going on in the USA at the moment.
In some”liberal” states (TBH these are the only ones what allow EDM events anyway) they literally do not have the cash to pay for important things like the Fire Brigade and other emergency services, as well as schools, because their free market economy has brought down taxes loads. However, they do still have various large public buildings which were mostly put there shortly after the Depression as a job creation scheme both for the builders and other businesses such as livestock traders (they were used for things like showing cattle, rodeos etc).
So when commercial EDM promoters are willing to pay the local Councils hundreds of thousands of dollars without quibbling (they also pay for real cops to work with the security staff) its seen as “promoting free enterprise” whilst also propping up public sector coppers. Blind eyes are turned even when serious problems occur at these large events such as violence, sexual assaults and fatal overdoses due to the money they bring in.
Also the Northern European artists fit in culturally with some American states culture, based around the Protestant work ethic, whilst those who play urban music fit in because there is a “cool black guy who likes music” who happens to be President there at the moment. Both are currently getting booked for many events in the USA (you can see this if you look at our calendar and the amount of European artists being booked to USA venues).
However these good times aren’t going to last (one of the big promoters got heavily busted by feds for some kind of corruption offence) – and there are safety concerns over the events (especially as some of the larger ones are clearly letting in underage punters).
The whole scenario and wider American culture is not unlike the decadance of the crumbing Weimar Republic in the 1930s and it could all go to shit very unpleasantly (like what happened at Utah) so its not surprising that anyone who is getting booked in the USA wants to try and jump on this gravy train before it goes kaboomski like in a Hollywood film.
July 13, 2012 at 9:33 pm #1254009sorry heres that link for phuturprimativehttp://www.youtube.com/watch?v=Bsr7UqKyUrU
July 13, 2012 at 11:24 pm #1254026It’s not as offensive as the usual dross. Still, compared to proper psy it has nothing where it comes to intricate layering and telling a story with the music. I wouldn’t be overly offended by this but at the same time it has nowhere near as much to offer as traditional psytrance IMHO.
July 16, 2012 at 9:49 pm #1253989TBH there are a lot of watered down version of dance tracks which are virtually pop dance doing the rounds but many of them are there because “youth” radio stations have a very wide target age range (which they used to pitch for the ads what keep the station going) of 12-45. Thats what Kiss in UK, C-Dance in BE and 538/SLAM in NL tend to go for.
12-17 year olds can’t usually get into EDM events, and many 30-45 year olds don’t go to them because they have 12-17 year old kids and don’t want to set them a bad example, but these youths can usually spare a euro or two to get a track for their smartphone.
Also out of these kids, at least some will grow up to be the next lot of DJ’s and promoters when they are 18+. I confess that at my youth I probably did listen to some ropey pop dance (and chaps like Tiësto and David Guetta who are a bit older than me played it as mobile DJs) – believe you me there was far worse cheese than today. If you are too young to remember Europop just count yourself lucky.
Tiësto unashamedly works with pop artists and goes for the charts, he does actually produce some OK tunes in the longer versions (not the ones what get played on daytime radio stations). I’ve never seen him perform (and I’ve never heard anything by David Guetta) I do get the impression they go a bit more for the ego/image (Tiësto apparently has his own fashion label). but thats perhaps due to the age group. They are both quite smart though and shrewd in business and competitive.
The other big time trance producers who are about my age like AVB, Ferry Corsten etc seem a bit more down to earth – AVB’s fashion sense (when not at some photocall) is no better than mine, he also still dresses like he’s in the 80s/90s (though that does have benefits as it can make folk think you are way younger). Similarly Ørjan Nilsen, I saw a film of them at Hotel 538 (this outside broadcast from the lobby of a large hotel in S’Hertogensbosch) and they do both look about 19.. :laugh_at:
Because of this and that their relatively clean cut image means they get respect worldwide (Ferry was in Malaysia recently and there is still censorship there, and he was then off to Beiruit afterwards) they simply don’t try to be “underground” or street. You don’t catch them using swear words in their tracks, (or if they do there are warnings) making controversial poltiical statements or “clever” comments about drugs or playing at unlicensed events because they want their name to get get the airplay and into the robot DJ system and come up on peoples equipment when they listen to online radio
Also they don’t even take drugs which is good for the health and long term image, but they might not want to be DJ’ing every weekend when they are 45 or 50, or at least only do it in their home towns – hence trying to keep the younger generations interested.
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