- This topic has 20 replies, 5 voices, and was last updated June 29, 2007 at 10:55 am by Playground Politics.
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June 28, 2007 at 10:57 pm #1041787
I ordered a new midi keyboard controller and it comes with a free USB AI which is only worth about 25 quid but it’s gotta be better than this crappy onboard soundcard I have in my laptop!
At the moment I have some speakers with a 3.5mm jack which plugs in to where the headphones go and I wanna know if I just do the same with this AI or will I have to buy another cable which I can connect the 3.5mm jack to?
Here is a large image on the audio interface:
June 28, 2007 at 11:00 pm #1114475looks like an audio cable or phono cable, u need a phono to jack
June 28, 2007 at 11:00 pm #1134793looks like an audio cable or phono cable, u need a phono to jack
June 28, 2007 at 11:11 pm #1114467Playground Politics wrote:looks like an audio cable or phono cable, u need a phono to jackNah coz if the speakers have the cable hardwired to them he needs a female 3.5m jack to phono cable..
June 28, 2007 at 11:11 pm #1134784Playground Politics wrote:looks like an audio cable or phono cable, u need a phono to jackNah coz if the speakers have the cable hardwired to them he needs a female 3.5m jack to phono cable..
June 28, 2007 at 11:21 pm #1114472Can you recommend me one? I am looking bu I cannot find anything.
June 28, 2007 at 11:21 pm #1134790Can you recommend me one? I am looking bu I cannot find anything.
June 28, 2007 at 11:24 pm #1114468Yeah i’ve been having probs too so came up with this solution for ya..
Get a phono to 3.5mm jack cable and one of these.. its a 3.5mm stereo coupler, it’ll allow you to put the 3.5mm jack from your speakers in one end and the 3.5mm jack from the phono to jack cable in the other.. you can get them in maplins.. that one is a gold one as it £1.89 but u can get them cheaper likes..
June 28, 2007 at 11:24 pm #1134786Yeah i’ve been having probs too so came up with this solution for ya..
Get a phono to 3.5mm jack cable and one of these.. its a 3.5mm stereo coupler, it’ll allow you to put the 3.5mm jack from your speakers in one end and the 3.5mm jack from the phono to jack cable in the other.. you can get them in maplins.. that one is a gold one as it £1.89 but u can get them cheaper likes..
June 28, 2007 at 11:29 pm #1114469The link for it is here http://www.maplin.co.uk/Module.aspx?TabID=1&ModuleNo=34619&doy=29m6
be warned maplins site is pish and takes forever to load and here’s the link for the cable http://www.maplin.co.uk/Module.aspx?ModuleNo=31700&C=Maplin&U=SearchTop&T=PHONO%20TO%20JACK&doy=29m6June 28, 2007 at 11:29 pm #1134787The link for it is here http://www.maplin.co.uk/Module.aspx?TabID=1&ModuleNo=34619&doy=29m6
be warned maplins site is pish and takes forever to load and here’s the link for the cable http://www.maplin.co.uk/Module.aspx?ModuleNo=31700&C=Maplin&U=SearchTop&T=PHONO%20TO%20JACK&doy=29m6June 28, 2007 at 11:47 pm #1114473Ok cheers, I wonder if it will effect sound quality? I guess for less than a couple quid its worth a try.
June 28, 2007 at 11:47 pm #1134791Ok cheers, I wonder if it will effect sound quality? I guess for less than a couple quid its worth a try.
June 29, 2007 at 1:37 am #1114470June 29, 2007 at 1:37 am #1134788June 29, 2007 at 8:16 am #1114474Yes thats just what I need but, cheers!
June 29, 2007 at 8:16 am #1134792Yes thats just what I need but, cheers!
June 29, 2007 at 8:25 am #1114466a small adaptor like that, provided it has no loose connections, will make no difference to the sound quality.
Most of the stuff chatted about “premium connectors” in hi-fi/sound engineering is complete rubbish invented to sell overpriced goods, you just need them to be well-constructed and not fall apart (particularly if you are actually playing out as opposed to just making tunes in a project studio).
I once worked for a company that kitted out the BBC, Anglia and Rapture amongst other broadcasters and all the professionals just used the standard XLRs and other connectors out of RS, Farnell and Canford – although they preferred metal body connectors and heavy duty cable for robustness.
You’d probably be able to get all the stuff you need in the Ipswich store but I’d check with them first that they’ve got it in stock if you are travelling down specially…
June 29, 2007 at 8:25 am #1134783a small adaptor like that, provided it has no loose connections, will make no difference to the sound quality.
Most of the stuff chatted about “premium connectors” in hi-fi/sound engineering is complete rubbish invented to sell overpriced goods, you just need them to be well-constructed and not fall apart (particularly if you are actually playing out as opposed to just making tunes in a project studio).
I once worked for a company that kitted out the BBC, Anglia and Rapture amongst other broadcasters and all the professionals just used the standard XLRs and other connectors out of RS, Farnell and Canford – although they preferred metal body connectors and heavy duty cable for robustness.
You’d probably be able to get all the stuff you need in the Ipswich store but I’d check with them first that they’ve got it in stock if you are travelling down specially…
June 29, 2007 at 10:55 am #1114471General Lighting wrote:a small adaptor like that, provided it has no loose connections, will make no difference to the sound quality.Most of the stuff chatted about “premium connectors” in hi-fi/sound engineering is complete rubbish invented to sell overpriced goods, you just need them to be well-constructed and not fall apart (particularly if you are actually playing out as opposed to just making tunes in a project studio).
I once worked for a company that kitted out the BBC, Anglia and Rapture amongst other broadcasters and all the professionals just used the standard XLRs and other connectors out of RS, Farnell and Canford – although they preferred metal body connectors and heavy duty cable for robustness.
You’d probably be able to get all the stuff you need in the Ipswich store but I’d check with them first that they’ve got it in stock if you are travelling down specially…
Aye – for sure. The only advantage of gold connectors is they don’t corrode as easily as other metals (unless your connections are getting damp regularly, in which case you have other problems anyway, you won’t have any trouble with corrosion)… And gold is a bloody useless conductor of electricity, as well as being a very soft metal and so prone to becoming misshapen if handled “roughly”….
And as for cable, don’t even go there…:crazy_dru The amount of steaming horse sh*t* spoken by people trying to sell cable for more cash really does beggar belief – Unless it’s a mic cable, or some other kind of high impedance source (where the capacitance of a long cable run can make a difference), the cable just needs to satisfy 2 basic criteria – 1) can it handle the power you are going to feed through it without melting/setting fire, and 2)is it strong enough to stand up to what you intend to use it for…..
I use 16amp mains cable for all speaker connections in the rig, and standard installation cable (£30 for 100m) for the interconnects between electronic boxes (with standard metal xlr’s/jacks/speakons as appropriate for connectors) – which I make myself so I know they’re well made :groucho:. Doesn’t take a huge amount of skill with a soldering iron, and means you can connect pretty much anything to anything if you have a selection connectors….
June 29, 2007 at 10:55 am #1134789General Lighting wrote:a small adaptor like that, provided it has no loose connections, will make no difference to the sound quality.Most of the stuff chatted about “premium connectors” in hi-fi/sound engineering is complete rubbish invented to sell overpriced goods, you just need them to be well-constructed and not fall apart (particularly if you are actually playing out as opposed to just making tunes in a project studio).
I once worked for a company that kitted out the BBC, Anglia and Rapture amongst other broadcasters and all the professionals just used the standard XLRs and other connectors out of RS, Farnell and Canford – although they preferred metal body connectors and heavy duty cable for robustness.
You’d probably be able to get all the stuff you need in the Ipswich store but I’d check with them first that they’ve got it in stock if you are travelling down specially…
Aye – for sure. The only advantage of gold connectors is they don’t corrode as easily as other metals (unless your connections are getting damp regularly, in which case you have other problems anyway, you won’t have any trouble with corrosion)… And gold is a bloody useless conductor of electricity, as well as being a very soft metal and so prone to becoming misshapen if handled “roughly”….
And as for cable, don’t even go there…:crazy_dru The amount of steaming horse sh*t* spoken by people trying to sell cable for more cash really does beggar belief – Unless it’s a mic cable, or some other kind of high impedance source (where the capacitance of a long cable run can make a difference), the cable just needs to satisfy 2 basic criteria – 1) can it handle the power you are going to feed through it without melting/setting fire, and 2)is it strong enough to stand up to what you intend to use it for…..
I use 16amp mains cable for all speaker connections in the rig, and standard installation cable (£30 for 100m) for the interconnects between electronic boxes (with standard metal xlr’s/jacks/speakons as appropriate for connectors) – which I make myself so I know they’re well made :groucho:. Doesn’t take a huge amount of skill with a soldering iron, and means you can connect pretty much anything to anything if you have a selection connectors….
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